Angelo Morbelli

Alessandria 1853-1918 Milan,Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez.


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Angelo Morbelli Feast Day at the Hospice Trivulzio in Milan oil


Feast Day at the Hospice Trivulzio in Milan
Painting ID::  11823
Feast Day at the Hospice Trivulzio in Milan
1892 2' 6 3/4'' x 4'(78 x 122 cm)
1892 2'_6_3/4''_x_4'(78_x_122_cm)
   
   
     

Angelo Morbelli For eighty penny oil


For eighty penny
Painting ID::  42798
For eighty penny
MK169 1895 Cloth 124x70cm
MK169_ 1895_Cloth_ 124x70cm
   
   
     

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     Angelo Morbelli
     Alessandria 1853-1918 Milan,Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez.

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